miyamoto naomi 宮本直美

… Alternative Names

MIYAMOTO Naomi 宮本直美

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Researcher Number	40401161
Other IDs
Affiliation (Current)	2025: 立命館大学, 文学部, 教授
Affiliation (based on the past Project Information) *help	2014 – 2023: 立命館大学, 文学部, 教授 2007 – 2013: Ritsumeikan University, 文学部, 准教授
Review Section/Research Field	Principal Investigator Sociology / Basic Section 08010:Sociology-related Except Principal Investigator Sociology / Medium-sized Section 8:Sociology and related fields
Keywords	Principal Investigator 文化社会学 / 音楽社会学 / コンサート / 演劇社会学 / 劇場 / 文化史 / 娯楽文化 / ポピュラー音楽 / ショービジネス / 娯楽 … More / ポピュラー文化 / 劇場文化 / 楽譜出版 / 自律美学 / 正典 / 劇場性 / キャノン / 芸術宗教 / 公共性 / 文化政策 / 歴史社会学 … More Except Principal Investigator 社会調査史 / 方法論 / 歴史社会学 / 社会調査 / ペットブーム / 動物倫理 / 猫社会学 / 観光社会学 / 社会問題の社会学 / 感情社会学 / 文化社会学 / ポストヒューマン社会学 / 猫と人間の関係 / 公共性 / 社会学史 / 社会学方法論 / 社会調査法 / 社会学 / 国際研究者交流（台湾） / アーカイブス / 社会認識 Less

猫と人間の関係を分析する猫社会学の理論と方法の開拓
- Principal Investigator
  
  赤川学
- Project Period (FY)
  2022 – 2024
- Research Category
  
  Grant-in-Aid for Challenging Research (Exploratory)
- Review Section
  
  Medium-sized Section 8:Sociology and related fields
- Research Institution
  The University of Tokyo
娯楽の近代化とショー・ビジネスのグローバル化に関する社会学的研究Principal Investigator
- Principal Investigator
  
  宮本直美
- Project Period (FY)
  2020 – 2024
- Research Category
  
  Grant-in-Aid for Scientific Research (C)
- Review Section
  
  Basic Section 08010:Sociology-related
- Research Institution
  Ritsumeikan University
A sociological study of modern theatre and music disseminationPrincipal Investigator
- Principal Investigator
  
  Miyamoto Naomi
- Project Period (FY)
  2017 – 2019
- Research Category
  
  Grant-in-Aid for Scientific Research (C)
- Research Field
  
  Sociology
- Research Institution
  Ritsumeikan University
Comprehensive research for re-organizing the heritage of sociological theories and surveys toward the new disciplinary method
- Principal Investigator
  
  Sato Kenji
- Project Period (FY)
  2016 – 2020
- Research Category
  
  Grant-in-Aid for Scientific Research (A)
- Research Field
  
  Sociology
- Research Institution
  The University of Tokyo
Sociological Research on the Aesthetics and the Theatricality of Concerts in Modern EuropePrincipal Investigator
- Principal Investigator
  
  Miyamoto Naomi
- Project Period (FY)
  2014 – 2016
- Research Category
  
  Grant-in-Aid for Scientific Research (C)
- Research Field
  
  Sociology
- Research Institution
  Ritsumeikan University
Sociological research of art-religion and the public sphere of musicPrincipal Investigator
- Principal Investigator
  
  MIYAMOTO Naomi
- Project Period (FY)
  2011 – 2013
- Research Category
  
  Grant-in-Aid for Scientific Research (C)
- Research Field
  
  Sociology
- Research Institution
  Ritsumeikan University
Multi-layered Construction of the History of Social Research
- Principal Investigator
  
  SATO KENJI
- Project Period (FY)
  2010 – 2014
- Research Category
  
  Grant-in-Aid for Scientific Research (B)
- Research Field
  
  Sociology
- Research Institution
  The University of Tokyo
Historical Sociology of Social Value of Art MusicPrincipal Investigator
- Principal Investigator
  
  MIYAMOTO Naomi
- Project Period (FY)
  2007 – 2009
- Research Category
  
  Grant-in-Aid for Young Scientists (B)
- Research Field
  
  Sociology
- Research Institution
  Ritsumeikan University

[Book] 『社会の解読力<文化編>生成する文化からの参照』2022
- Author(s)
  出口剛司・武田俊輔編（宮本直美）
- Total Pages
  256
- Publisher
  新曜社
- ISBN
  9784788517585
- Data Source
  KAKENHI-PROJECT-20K02148
[Book] ミュージカルの歴史　なぜ突然歌いだすのか2022
- Author(s)
  宮本直美
- Total Pages
  226
- Publisher
  中央公論新社
- ISBN
  9784121027023
- Data Source
  KAKENHI-PROJECT-20K02148
[Book] コンサートという文化装置－－交響曲とオペラのヨーロッパ近代－－2016
- Author(s)
  宮本直美
- Total Pages
  253
- Publisher
  岩波書店
- Data Source
  KAKENHI-PROJECT-26380721
[Book] “The Takarazuka Revue: Its Star System and Fans' Support”, in Made in Japan. Studies in Popular Music, ed.by Toru Mitsui2014
- Author(s)
  Naomi Miyamoto
- Total Pages
  254
- Publisher
  Routledge
- Data Source
  KAKENHI-PROJECT-22330145
[Book] Made in Japan: Studies in Popular Music. "The Takarazuka Revue: Its Star System and Fans' Support"2014
- Author(s)
  Naomi Miyamoto
- Total Pages
  254
- Publisher
  Routledge
- Data Source
  KAKENHI-PROJECT-26380721
[Book] 「市民的公共性と芸術－－市民社会における再現前的公共性－－」『公共社会学I』所収2012
- Author(s)
  宮本直美
- Publisher
  東京大学出版会
- Data Source
  KAKENHI-PROJECT-23530706
[Book] 市民的公共性と芸術――市民社会における再現前的公共性――, 『公共社会学I』2012
- Author(s)
  宮本直美
- Total Pages
  280
- Publisher
  東京大学出版会
- Data Source
  KAKENHI-PROJECT-23530706
[Book] 宝塚ファンの社会学--スターは劇場み外で作られる--2011
- Author(s)
  宮本直美
- Total Pages
  194
- Publisher
  青弓社
- Data Source
  KAKENHI-PROJECT-22330145
[Book] 拡散する音楽文化をどうとらえるか)(「正統な音楽・非正統な音楽-文化政策の公的承認機能」)(東谷護編著)2008
- Author(s)
  宮本直美
- Publisher
  勁草書房
- Data Source
  KAKENHI-PROJECT-19730326
[Journal Article] 宝塚少女歌劇と人におけるオペラの模索2022
- Author(s)
  宮本直美
- Journal Title
  
  出口剛司・武田俊輔『社会の解読力〈文化編〉』
  
  Volume: ナシ Pages: 21-39
- Data Source
  KAKENHI-PROJECT-16H02040
[Journal Article] 「共に歌うこと」と集合的感情--A.シュッツの音楽社会学再検討2019
- Author(s)
  宮本直美
- Journal Title
  
  立命館文学
  
  Volume: 663 Pages: 138-147
- NAID
  40022051612
- Data Source
  KAKENHI-PROJECT-16H02040
[Journal Article] 「共に歌うこと」と集合的感情－－A.シュッツの音楽社会学再検討－－2019
- Author(s)
  宮本直美
- Journal Title
  
  立命館文学
  
  Volume: 663 Pages: 138-147
- NAID
  40022051612
- Open Access
- Data Source
  KAKENHI-PROJECT-17K04172
[Journal Article] ミュージカルによる戯曲の解釈と表現－『老貴婦人の訪問 Der Besuch der alten Dame』における音楽構造2018
- Author(s)
  宮本直美
- Journal Title
  
  立命館文学
  
  Volume: 655 Pages: 22-33
- NAID
  40021485009
- Data Source
  KAKENHI-PROJECT-17K04172
[Journal Article] ミュージカルによる戯曲の解釈と表現－－『老貴婦人の訪問 Der Besuch der alten Dame』における音楽構造2018
- Author(s)
  宮本直美
- Journal Title
  
  立命館文学
  
  Volume: 第655号 Pages: 22-33
- NAID
  40021485009
- Open Access
- Data Source
  KAKENHI-PROJECT-16H02040
[Journal Article] 嗜好対象としての歌声－－クラシック歌唱からポピュラー歌唱へ2017
- Author(s)
  宮本直美
- Journal Title
  
  嗜好品文化研究
  
  Volume: 2 Pages: 26-37
- Data Source
  KAKENHI-PROJECT-26380721
[Journal Article] 女声の低音と舞台上のジェンダー――オペラにおけるズボン役との比較から見た宝塚歌劇の男役2015
- Author(s)
  宮本直美
- Journal Title
  
  ポピュラー音楽研究
  
  Volume: Vol. 18 Pages: 33-47
- NAID
  40020392839
- Peer Reviewed
- Data Source
  KAKENHI-PROJECT-22330145
[Journal Article] 女声の低音と舞台上のジェンダー－－オペラにおけるズボン役との比較から見た宝塚歌劇の男役2015
- Author(s)
  宮本直美
- Journal Title
  
  ポピュラー音楽研究
  
  Volume: 18 Pages: 33-47
- NAID
  40020392839
- Peer Reviewed
- Data Source
  KAKENHI-PROJECT-26380721
[Journal Article] レヴューのmortalityとimmortality――ジャンルとしてのレヴューと宝塚歌劇団――2014
- Author(s)
  宮本直美
- Journal Title
  
  立命館文学
  
  Volume: 635号 Pages: 60-75
- Data Source
  KAKENHI-PROJECT-23530706
[Journal Article] レヴューのmortalityとimmortality－－ジャンルとしてのレヴューと宝塚歌劇団－－2014
- Author(s)
  宮本直美
- Journal Title
  
  立命館文学
  
  Volume: 635 Pages: 60-75
- Data Source
  KAKENHI-PROJECT-23530706
[Journal Article] Concerts and the Public Sphere in Civil Society: Through Rethinking Habermas's Concept of Representative Publicness2013
- Author(s)
  Naomi Miyamoto
- Journal Title
  
  International Review of the Aesthetics and Sociology of Music
  
  Volume: 44/1 Pages: 101-118
- Peer Reviewed
- Data Source
  KAKENHI-PROJECT-23530706
[Journal Article] Concerts and the Public Sphere in Civil Society : Through Rethinking Habermas's Concept of Representative Publicness2013
- Author(s)
  Miyamoto,Naomi
- Journal Title
  
  International Review of the Aesthetics and Sociology of Music
  
  Volume: 44/ 1 Pages: 101-118
- Peer Reviewed
- Data Source
  KAKENHI-PROJECT-23530706
[Journal Article] 日本における音楽祭の変遷とオーセンティシティ2011
- Author(s)
  宮本直美
- Journal Title
  
  社会学評論
  
  Volume: 62号3巻 Pages: 375-391
- NAID
  110008730909
- Peer Reviewed
- Data Source
  KAKENHI-PROJECT-23530706
[Journal Article] 日本における音楽祭の変遷とオーセンティシティ2011
- Author(s)
  宮本直美
- Journal Title
  
  社会学評論
  
  Volume: 62巻3号 Pages: 375-391
- NAID
  110008730909
- Peer Reviewed
- Data Source
  KAKENHI-PROJECT-22330145
[Journal Article] 文化政策論における「価値」の視点の可能性2008
- Author(s)
  宮本直美
- Journal Title
  
  文化経済学第6巻第1号
  
  Pages: 27-34
- NAID
  130007624551
- Data Source
  KAKENHI-PROJECT-19730326
[Journal Article] 文化政策における「芸術」と「ポピュラー文化」2008
- Author(s)
  宮本直美
- Journal Title
  
  季刊家計経済研究第79巻
  
  Pages: 47-54
- Data Source
  KAKENHI-PROJECT-19730326
[Journal Article] 19世紀ドイツの教養と音楽2008
- Author(s)
  宮本直美
- Journal Title
  
  ドイツ研究第42号
  
  Pages: 47-63
- Data Source
  KAKENHI-PROJECT-19730326
[Journal Article] 文化政策における『芸術』と『ポピュラー文化』2008
- Author(s)
  宮本直美
- Journal Title
  
  季刊家計経済研究(財団法人家計経済研究所) No.79
  
  Pages: 47-54
- Data Source
  KAKENHI-PROJECT-19730326
[Journal Article] 19世紀ドイツの教養と音楽2008
- Author(s)
  宮本直美
- Journal Title
  
  ドイツ研究(日本ドイツ学会) 第42号
  
  Pages: 47-63
- Data Source
  KAKENHI-PROJECT-19730326
[Journal Article] 正統な音楽・非正統な音楽--文化政策の公的承認機能--2008
- Author(s)
  宮本直美
- Journal Title
  
  『拡散する音楽文化をどうとらえるか』(東谷護編)
  
  Pages: 79-105
- Data Source
  KAKENHI-PROJECT-19730326
[Journal Article] 文化政策論における『価値』の視点の可能性2008
- Author(s)
  宮本直美
- Journal Title
  
  文化経済学(文化経済学会<日本>) 第6巻第1号
  
  Pages: 27-34
- NAID
  130007624551
- Data Source
  KAKENHI-PROJECT-19730326
[Presentation] 猫表象の文化社会学へ向けて: 猫のイメージとジェンダー2022
- Author(s)
  宮本直美
- Organizer
  第95回日本社会学会大会テーマセッション: 猫社会学の応用と展開（２）
- Data Source
  KAKENHI-PROJECT-22K18550
[Presentation] Constructing Collective Memory through Choral Singing in Fukushima2019
- Author(s)
  Naomi Miyamoto
- Organizer
  14th Conference of the European Sociological Association
- Int'l Joint Research
- Data Source
  KAKENHI-PROJECT-17K04172
[Presentation] Constructing Collective Memory through Choral Singing in Fukushima2019
- Author(s)
  Naomi Miyamoto
- Organizer
  14th Conference of the European Sociological Association
- Int'l Joint Research
- Data Source
  KAKENHI-PROJECT-16H02040
[Presentation] Involvement in Chorus: Collective Feeling and Alfred Schutz's Theory (Oral Presentation)2018
- Author(s)
  Naomi Miyamoto
- Organizer
  XIX ISA World Congress of Sociology, Toronto, Canada
- Int'l Joint Research
- Data Source
  KAKENHI-PROJECT-17K04172
[Presentation] Involvement in Chorus: Collective Feeling and Alfred Schutz's Theory2018
- Author(s)
  Naomi Miyamoto
- Organizer
  XIX ISA World Congress of Sociology
- Int'l Joint Research
- Data Source
  KAKENHI-PROJECT-16H02040
[Presentation] Gendered Body on Stage: The Takarazuka Revue Company and Japanese Subculture (Oral Presentation)2018
- Author(s)
  Naomi Miyamoto
- Organizer
  New Perspectives on the Digital Revolution: Media and Cultural Transformations, University of South Australia, Adelaide, Australila
- Int'l Joint Research
- Data Source
  KAKENHI-PROJECT-17K04172
[Presentation] Gendered Body on Stage: The Takarazuka Revue Company and Japanese Subculture2018
- Author(s)
  Naomi Miyamoto
- Organizer
  International Workshop, New Perspectives on the Digital Revolution: Media and Cultural Transformations
- Int'l Joint Research
- Data Source
  KAKENHI-PROJECT-16H02040
[Presentation] Singing Together: Choruses and Alfred Schutz's theory of musical communication2017
- Author(s)
  Naomi Miyamoto.
- Organizer
  13th Conference of the European Sociological Association
- Int'l Joint Research
- Data Source
  KAKENHI-PROJECT-16H02040
[Presentation] Singing Together: Choruses and Alfred Schutz's theory of musical communication2017
- Author(s)
  Naomi Miyamoto
- Organizer
  13th Conference of the European Sociological Association
- Int'l Joint Research
- Data Source
  KAKENHI-PROJECT-17K04172
[Presentation] 劇場から音楽シーンへ／音楽シーンから劇場へ2017
- Author(s)
  宮本直美
- Organizer
  日本ポピュラー音楽学会第29回全国大会
- Data Source
  KAKENHI-PROJECT-17K04172
[Presentation] ミュージカルにおける戯曲の解釈と表現－『老貴婦人の訪問 Der Besuch der alten Dame』における音楽構造2017
- Author(s)
  宮本直美
- Organizer
  日本演劇学会
- Data Source
  KAKENHI-PROJECT-17K04172
[Presentation] 劇場から音楽シーンへ／音楽シーンから劇場へ2017
- Author(s)
  宮本直美
- Organizer
  日本ポピュラー音楽学会第29回大会ワークショップC「ポピュラー音楽と劇音楽」
- Data Source
  KAKENHI-PROJECT-16H02040
[Presentation] ミュージカルにおける戯曲の解釈と表現－－『老貴婦人の訪問 Der Besuch der alten Dame』における音楽構造2017
- Author(s)
  宮本直美
- Organizer
  日本演劇学会大会
- Data Source
  KAKENHI-PROJECT-16H02040
[Presentation] 共に歌うことの社会学－－集合的記憶と集合的感情2016
- Author(s)
  宮本直美
- Organizer
  神戸大学シンポジウム「歌と文化的記憶－表現と社会」
- Place of Presentation
  神戸大学（兵庫県神戸市）
- Year and Date
  2016-11-19
- Data Source
  KAKENHI-PROJECT-16H02040
[Presentation] Theatrical Gender Image and 'Takarazuka Revue': The first 2.5D musical company2016
- Author(s)
  Naomi Miyamoto
- Organizer
  9th Midterm Conference of the ESA RN-Sociology of the Arts
- Place of Presentation
  ポルト（ポルトガル）
- Year and Date
  2016-09-10
- Int'l Joint Research
- Data Source
  KAKENHI-PROJECT-26380721
[Presentation] 共に歌うことの社会学－－集合的記憶と集合的感情2016
- Author(s)
  宮本直美
- Organizer
  シンポジウム「歌と文化的記憶－表現と社会」
- Place of Presentation
  神戸大学（兵庫県・神戸市）
- Year and Date
  2016-11-19
- Invited
- Data Source
  KAKENHI-PROJECT-26380721
[Presentation] Theatrical Gender Image and 'Takarazuka Revue': The first 2.5D musical company2016
- Author(s)
  Naomi, Miyamoto
- Organizer
  9th Midterm Conference of the ESA RN-Sociology of the Arts
- Place of Presentation
  ポルト（ポルトガル）
- Year and Date
  2016-09-10
- Int'l Joint Research
- Data Source
  KAKENHI-PROJECT-16H02040
[Presentation] Classical Music and Popular Music: the Japanese Government's Cultural Policy2015
- Author(s)
  Naomi Miyamoto
- Organizer
  12th Conference of the European Sociological Association
- Place of Presentation
  Prague, Czech Republic
- Year and Date
  2015-08-27
- Int'l Joint Research
- Data Source
  KAKENHI-PROJECT-26380721
[Presentation] Differentiating Gender Roles Onstage: An Analysis of the Takarazuka Performance (Oral Presentation)2014
- Author(s)
  Naomi Miyamoto
- Organizer
  XVIII ISA World Congress of Sociology, Yokohama, Japan
- Place of Presentation
  Pacifico Yokohama, Exhibition Hall（神奈川県・横浜市）
- Year and Date
  2014-07-15
- Data Source
  KAKENHI-PROJECT-26380721
[Presentation] Musicology in Post-War Japan: German Influence and Social Context (Oral Presentation)2014
- Author(s)
  Naomi Miyamoto
- Organizer
  XVIII ISA World Congress of Sociology, Yokohama, Japan
- Place of Presentation
  Pacifico Yokohama, Exhibition Hall（神奈川県・横浜市）
- Year and Date
  2014-07-17
- Data Source
  KAKENHI-PROJECT-26380721
[Presentation] Musicology in Post-War Japan: German Influence and Social Context.2014
- Author(s)
  Naomi Miyamoto
- Organizer
  XVIII ISA World Congress of Sociology
- Place of Presentation
  Pacifico Yokohama（神奈川県横浜市）, Japan
- Year and Date
  2014-07-17
- Data Source
  KAKENHI-PROJECT-22330145
[Presentation] 声域とジェンダー――宝塚歌劇における男役の声の低音化――2014
- Author(s)
  宮本直美
- Organizer
  第87回日本社会学会大会
- Place of Presentation
  神戸大学（兵庫県神戸市）
- Year and Date
  2014-11-22
- Data Source
  KAKENHI-PROJECT-22330145
[Presentation] 声域とジェンダー－－宝塚歌劇における男役の声の低音化－－2014
- Author(s)
  宮本直美
- Organizer
  日本社会学会全国大会
- Place of Presentation
  神戸大学, 文理農学部キャンパス（兵庫県・神戸市）
- Year and Date
  2014-11-22
- Data Source
  KAKENHI-PROJECT-26380721
[Presentation] Differentiating Gender Roles Onstage: An Analysis of the Takarazuka Performance.2014
- Author(s)
  Naomi Miyamoto
- Organizer
  XVIII ISA World Congress of Sociology
- Place of Presentation
  Pacifico Yokohama（神奈川県横浜市）, Japan
- Year and Date
  2014-07-15
- Data Source
  KAKENHI-PROJECT-22330145
[Presentation] Construction of Gender in the Takarazuka Revue Company : A Case Study of a Japanese Female Musical Company2013
- Author(s)
  Miyamoto,Naomi
- Organizer
  Conference Music, Gender & Difference. Intersectional and postcolonial perspectives on musical fields
- Place of Presentation
  University of Music and Performing Arts Vienna, Austria(Oral Presentation)
- Year and Date
  2013-10-11
- Data Source
  KAKENHI-PROJECT-23530706
[Presentation] ジャンルとしてのレヴューと宝塚歌劇団2013
- Author(s)
  宮本直美
- Organizer
  2013年度日本演劇学会全国大会
- Place of Presentation
  共立女子大学
- Year and Date
  2013-06-22
- Data Source
  KAKENHI-PROJECT-23530706
[Presentation] The Takarazuka Revue and Fans' Support in a Theatre (Oral Presentation)2012
- Author(s)
  Naomi Miyamoto
- Organizer
  7th Conference of the European Research Network Sociology of the Arts
- Place of Presentation
  Vienna, Austria
- Data Source
  KAKENHI-PROJECT-23530706
[Presentation] The Takarazuka Revue and Fans' Support in a Theatre2012
- Author(s)
  Miyamoto,Naomi
- Organizer
  7th Conference of the European Research Network Sociology of the Arts
- Place of Presentation
  University of Music and Performing Arts Vienna, Austria(Oral Presentation)
- Data Source
  KAKENHI-PROJECT-23530706
[Presentation] Authenticity and Music Festivals in Japan.2010
- Author(s)
  Naomi Miyamoto
- Organizer
  Oral presentation at the XVII ISA World Congress of Sociology
- Place of Presentation
  Gothenberg, Sweden
- Year and Date
  2010-07-12
- Data Source
  KAKENHI-PROJECT-19730326
[Presentation] Authenticity and Music Festivals in Japan2010
- Author(s)
  Miyamoto, Naomi
- Organizer
  XVII ISA World Congress of Sociology
- Place of Presentation
  Univ.of Gothenberg, Sweden
- Year and Date
  2010-07-13
- Data Source
  KAKENHI-PROJECT-22330145
[Presentation] Authenticity and Music Festivals in Japan2010
- Author(s)
  Naomi Miyamoto
- Organizer
  International Sociological Association XVII ISA World Congress of Sociology
- Place of Presentation
  Gothenburg, Sweden
- Data Source
  KAKENHI-PROJECT-19730326
[Presentation] 交響曲--ドイツ性と普遍性--2009
- Author(s)
  宮本直美
- Organizer
  「境界の喪失と再生」研究会シンポジウム
- Place of Presentation
  名古屋大学
- Year and Date
  2009-01-16
- Data Source
  KAKENHI-PROJECT-19730326
[Presentation] 19世紀ドイツの教養と音楽2007
- Author(s)
  宮本直美
- Organizer
  日本ドイツ学会
- Place of Presentation
  明治大学
- Year and Date
  2007-06-23
- Data Source
  KAKENHI-PROJECT-19730326
[Presentation] ジャンルとしてのレヴューと宝塚歌劇団
- Author(s)
  宮本直美
- Organizer
  2013年度日本演劇学会全国大会
- Place of Presentation
  共立女子大学（東京都千代田区）
- Data Source
  KAKENHI-PROJECT-23530706
[Presentation] The Takarazuka Revue and Fans' Support in a Theatre
- Author(s)
  Naomi Miyamoto
- Organizer
  7th Conference of the European Research Network Sociology of the Arts
- Place of Presentation
  Vienna, Austria
- Data Source
  KAKENHI-PROJECT-22330145
[Presentation] Construction of Gender in the Takarazuka Revue Company: A Case Study of a Japanese Female Musical Company (Oral Presentation)
- Author(s)
  Naomi Miyamoto
- Organizer
  Conference Music, Gender & Difference. Intersectional and postcolonial perspectives on musical fields
- Place of Presentation
  University of Music and Performing Arts (Austria)
- Data Source
  KAKENHI-PROJECT-23530706

1. AKAGAWA Manabu (10273062)

# of Collaborated Projects: 3 results

# of Collaborated Products: 0 results
2. DEGUCHI Takeshi (40340484)

# of Collaborated Projects: 3 results

# of Collaborated Products: 0 results
3. SATO KENJI (50162425)

# of Collaborated Projects: 2 results

# of Collaborated Products: 0 results
4. SUKENARI Yasushi (50382461)

# of Collaborated Projects: 2 results

# of Collaborated Products: 0 results
5. HIGASHI Yumiko (00307985)

# of Collaborated Projects: 2 results

# of Collaborated Products: 0 results
6. YONEMURA Chiyo (90262063)

# of Collaborated Projects: 2 results

# of Collaborated Products: 0 results
7. NAKASUJI Yukiko (60303682)

# of Collaborated Projects: 2 results

# of Collaborated Products: 0 results
8. NOGAMI Gen (50350187)

# of Collaborated Projects: 2 results

# of Collaborated Products: 0 results
9. SATO Masahiro (50708328)

# of Collaborated Projects: 2 results

# of Collaborated Products: 0 results
10. TAKEDA Shunsuke (10398365)

# of Collaborated Projects: 2 results

# of Collaborated Products: 0 results
11. 新島典子 (70422350)

# of Collaborated Projects: 1 results

# of Collaborated Products: 0 results
12. 柄本三代子 (90406364)

# of Collaborated Projects: 1 results

# of Collaborated Products: 0 results

miyamoto naomi 宮本 直美

MIYAMOTO Naomi 宮本 直美

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猫と人間の関係を分析する猫社会学の理論と方法の開拓

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娯楽の近代化とショー・ビジネスのグローバル化に関する社会学的研究Principal Investigator

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A sociological study of modern theatre and music disseminationPrincipal Investigator

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Comprehensive research for re-organizing the heritage of sociological theories and surveys toward the new disciplinary method

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Sociological Research on the Aesthetics and the Theatricality of Concerts in Modern EuropePrincipal Investigator

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Sociological research of art-religion and the public sphere of musicPrincipal Investigator

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Multi-layered Construction of the History of Social Research

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Historical Sociology of Social Value of Art MusicPrincipal Investigator

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[Book] 『社会の解読力<文化編>生成する文化からの参照』2022

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[Book] ミュージカルの歴史 なぜ突然歌いだすのか2022

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[Book] コンサートという文化装置－－交響曲とオペラのヨーロッパ近代－－2016

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[Book] “The Takarazuka Revue: Its Star System and Fans' Support”, in Made in Japan. Studies in Popular Music, ed.by Toru Mitsui2014

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[Book] Made in Japan: Studies in Popular Music. "The Takarazuka Revue: Its Star System and Fans' Support"2014

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miyamoto naomi 宮本直美

MIYAMOTO Naomi 宮本直美

[Book] ミュージカルの歴史　なぜ突然歌いだすのか2022