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YASUDA Shizuka  安田 靜

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安田 静  ヤスダ シズカ

安田 靜  ヤスダ シズカ

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Researcher Number 90339226
Other IDs
Affiliation (Current) 2025: 日本大学, 経済学部, 教授
Affiliation (based on the past Project Information) *help 2022 – 2024: 日本大学, 経済学部, 教授
2018 – 2020: 日本大学, 経済学部, 教授
2003 – 2004: 日本大学, 経済学部, 助教授
2002: 日本大学, 経済学部, 専任講師
Review Section/Research Field
Principal Investigator
Basic Section 01070:Theory of art practice-related / Basic Section 01050:Aesthetics and art studies-related / 美学(含芸術諸学)
Keywords
Principal Investigator
劇場 / 商品化 / パトロン / 舞台芸術 / 性風俗 / 芸術化 / 日本舞踊 / バレエ / 舞踊 / ダンス … More / 商品 / 上演文化 / 労働者 / パリ・オペラ座 / シーズンチケット / アボネ / 風俗 / 定期予約者 / 新舞踊運動 / 花街 / パリ・オペラ座バレエ団 / 演劇 / ルドルフ・ヌレエフ / パリ.オペラ座バレエ団 / 白鳥の湖 / 表現 / 表象 / 身体 / 演出 Less
  • Research Projects

    (3 results)
  • Research Products

    (10 results)
  • Co-Researchers

    (6 People)
  •  上演文化に関する「芸術化」の国際比較研究:商品及び労働者としての演者を巡る諸問題Principal Investigator

    • Principal Investigator
      安田 靜
    • Project Period (FY)
      2023 – 2025
    • Research Category
      Grant-in-Aid for Scientific Research (B)
    • Review Section
      Basic Section 01070:Theory of art practice-related
    • Research Institution
      Nihon University
  •  Transition of Dance Toward 'Pure Art' : Detaching traditional dance from sexual mores in Japan and FrancePrincipal Investigator

    • Principal Investigator
      YASUDA Shizuka
    • Project Period (FY)
      2018 – 2020
    • Research Category
      Grant-in-Aid for Scientific Research (B)
    • Review Section
      Basic Section 01050:Aesthetics and art studies-related
    • Research Institution
      Nihon University
  •  日本及び欧米諸国における舞台芸術の身体表象とその演出についてPrincipal Investigator

    • Principal Investigator
      安田 静 (安田 靜)
    • Project Period (FY)
      2002 – 2004
    • Research Category
      Grant-in-Aid for Young Scientists (A)
    • Research Field
      美学(含芸術諸学)
    • Research Institution
      Nihon University

All 2022 2021 2020 2019 2004

All Journal Article Presentation

  • [Journal Article] Nouvelle Version du Lac des Cygnes (1984) par Rudolf Noureev2004

    • Author(s)
      Shizuka Therese YASUDA
    • Journal Title

      IFTR / FIRT Annual Conference, St.Petersburg (RUSSIA)

    • Data Source
      KAKENHI-PROJECT-14701002
  • [Journal Article] Sur l'identite des ceuvres choregraphiques et le probleme de leur transmission2004

    • Author(s)
      Shizuka Therese YASUDA
    • Journal Title

      XVI International Congress of Aesthetics, Rio de Janeiro (BRAZIL)

    • Data Source
      KAKENHI-PROJECT-14701002
  • [Journal Article] Problematique de la `mise en scene'dans le domaine de la danse2004

    • Author(s)
      Shizuka Therese YASUDA
    • Journal Title

      Research Bulletin, Liberal Arts, The Economic Association of Nihon University no.47

      Pages: 83-93

    • Data Source
      KAKENHI-PROJECT-14701002
  • [Journal Article] ピナ・バウシュとフォーサイスの『作品』は継承可能か!2004

    • Author(s)
      安田 靜
    • Journal Title

      第56回 舞踊学会(沖縄大会)

    • Data Source
      KAKENHI-PROJECT-14701002
  • [Presentation] Nude or Naked: Body Representation on Stage in Contemporary Dance in Japan2022

    • Author(s)
      Shizuka YASUDA
    • Organizer
      The 10th International Conference on Social Science and Humanity
    • Int'l Joint Research
    • Data Source
      KAKENHI-PROJECT-18H00627
  • [Presentation] Serge Lifar: His excellent reform in Paris Opera and his sexuality2021

    • Author(s)
      Shizuka YASUDA
    • Organizer
      International conference on Social Sciences, Humanities and Arts
    • Int'l Joint Research
    • Data Source
      KAKENHI-PROJECT-18H00627
  • [Presentation] How the Paris Opera was transformed from “the most wonderful seraglio” into a sanctuary of pure art: Jacques Rouche’s key steps to remove male subscribers from backstage2020

    • Author(s)
      Shizuka YASUDA
    • Organizer
      The 9th International Conference on Social Science and Humanity
    • Int'l Joint Research
    • Data Source
      KAKENHI-PROJECT-18H00627
  • [Presentation] Until when did the Paris Opera remain “the most wonderful seraglio”? -- Transition in the audience’s gender composition in the late 1930s2020

    • Author(s)
      Shizuka YASUDA
    • Organizer
      Interdisciplinary practices in Management and Social Science
    • Int'l Joint Research
    • Data Source
      KAKENHI-PROJECT-18H00627
  • [Presentation] Opera de Paris and its Abonnes: The Transition of Privileged Theater-Goers and "their" ballerinas2019

    • Author(s)
      Shizuka YASUDA, Yuki MORIWAKI
    • Organizer
      ICBASS
    • Int'l Joint Research
    • Data Source
      KAKENHI-PROJECT-18H00627
  • [Presentation] Dr. Veron at the Paris Opera (1831-1835): Prominent Director or Leader of Decadence?2019

    • Author(s)
      Shizuka YASUDA
    • Organizer
      ASMSS(Annual Symposium on Management and Social Science)
    • Int'l Joint Research
    • Data Source
      KAKENHI-PROJECT-18H00627
  • 1.  武藤 大祐 (30513006)
    # of Collaborated Projects: 2 results
    # of Collaborated Products: 0 results
  • 2.  吉田 寛 (40431879)
    # of Collaborated Projects: 1 results
    # of Collaborated Products: 0 results
  • 3.  古後 奈緒子 (40741468)
    # of Collaborated Projects: 1 results
    # of Collaborated Products: 0 results
  • 4.  山田 小夜歌 (40825204)
    # of Collaborated Projects: 1 results
    # of Collaborated Products: 0 results
  • 5.  垣沼 絢子 (40979704)
    # of Collaborated Projects: 1 results
    # of Collaborated Products: 0 results
  • 6.  阪田 玉藻 (80836940)
    # of Collaborated Projects: 1 results
    # of Collaborated Products: 0 results

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