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ORIKASA Toshiyuki  折笠 敏之

ORCIDConnect your ORCID iD *help
Researcher Number 80751479
Other IDs
Affiliation (Current) 2025: 東京藝術大学, 音楽学部, 准教授
Affiliation (based on the past Project Information) *help 2024: 東京藝術大学, 音楽学部, 准教授
2021 – 2022: 東京藝術大学, 音楽学部, 准教授
2016 – 2020: 東京藝術大学, 音楽学部, 講師
Review Section/Research Field
Principal Investigator
Basic Section 01070:Theory of art practice-related / Art at large
Except Principal Investigator
Basic Section 01070:Theory of art practice-related / Art at large
Keywords
Principal Investigator
作曲方法論 / CAO(「コンピュータ支援作曲」) / ミクスト音楽 / 電子音響音楽 / 音律 / CAO(コンピュータ支援作曲)
Except Principal Investigator
コンピュータ支援作曲 / ミクスト音楽 / コンピュータ音楽 / 作曲方法論 … More / 演奏実践 / 演奏 / CAO, CAC / 電子音響音楽 / 現代音楽技法 Less
  • Research Projects

    (5 results)
  • Research Products

    (6 results)
  • Co-Researchers

    (3 People)
  •  音組織の分析的把握による生成に基づく創作モデルの「構成論」的検証とその演奏様式Principal Investigator

    • Principal Investigator
      折笠 敏之
    • Project Period (FY)
      2024 – 2026
    • Research Category
      Grant-in-Aid for Scientific Research (C)
    • Review Section
      Basic Section 01070:Theory of art practice-related
    • Research Institution
      Tokyo National University of Fine Arts and Music
  •  Compositional Methodologies Based on the Systemization of the Pitch Structures Containing Microtonal Intervals and on the Typification of the Components of SoundsPrincipal Investigator

    • Principal Investigator
      Orikasa Toshiyuki
    • Project Period (FY)
      2020 – 2022
    • Research Category
      Grant-in-Aid for Scientific Research (C)
    • Review Section
      Basic Section 01070:Theory of art practice-related
    • Research Institution
      Tokyo National University of Fine Arts and Music
  •  Research on Computer Music in the Context of Contemporary Compositional Techniques: From the Viewpoints of Compositional Methodologies and Traditional Performance Forms

    • Principal Investigator
      KOKAJI Kunitaka
    • Project Period (FY)
      2019 – 2021
    • Research Category
      Grant-in-Aid for Scientific Research (B)
    • Review Section
      Basic Section 01070:Theory of art practice-related
    • Research Institution
      Tokyo National University of Fine Arts and Music
  •  Research on Methodologies of Composition in the Fields of Musique Mixte and CAC Based on Traditional Compositional Techniques

    • Principal Investigator
      Nodaira Ichiro
    • Project Period (FY)
      2016 – 2018
    • Research Category
      Grant-in-Aid for Scientific Research (B)
    • Research Field
      Art at large
    • Research Institution
      Tokyo National University of Fine Arts and Music
  •  Research on Analytical Methodology of Composition Based on Attempts of Expansion of the Theories on Pitch Structure from Twelve-Tone to Microtonal Pitch SpacePrincipal Investigator

    • Principal Investigator
      ORIKASA Toshiyuki
    • Project Period (FY)
      2016 – 2018
    • Research Category
      Grant-in-Aid for Scientific Research (C)
    • Research Field
      Art at large
    • Research Institution
      Tokyo National University of Fine Arts and Music

All 2023 2019 2018 2017

All Presentation

  • [Presentation] infiltration - locus Ⅱ2023

    • Author(s)
      折笠 敏之
    • Organizer
      コンサート:Research for Electro-Acoustic Music - REAM - Vol.4
    • Data Source
      KAKENHI-PROJECT-20K00209
  • [Presentation] locus ― natura naturata2019

    • Author(s)
      折笠 敏之
    • Organizer
      コンサート:Research for Electro-Acoustic Music - REAM - Vol.3
    • Data Source
      KAKENHI-PROJECT-16K02303
  • [Presentation] Dissipation IV for piano and optional computer2018

    • Author(s)
      折笠 敏之
    • Organizer
      コンサート:Research for Electro-Acoustic Music - REAM - Vol.2
    • Data Source
      KAKENHI-PROJECT-16H03382
  • [Presentation] M. ストロッパ:空間へと投影された弦楽四重奏のための《Spirali》(日本初演)2018

    • Author(s)
      演奏:Ensemble REAMメンバー(弦楽四重奏)、折笠敏之(コンピュータ・オペレーション)
    • Organizer
      コンサート:Research for Electro-Acoustic Music - REAM - Vol.2
    • Data Source
      KAKENHI-PROJECT-16H03382
  • [Presentation] 《Diffusion III》 for 6 players2018

    • Author(s)
      折笠 敏之
    • Organizer
      Research for Electro-Acoustic Music - REAM - Vol.2
    • Data Source
      KAKENHI-PROJECT-16K02303
  • [Presentation] Diffusion II2017

    • Author(s)
      折笠敏之
    • Organizer
      コンサート:Research for Electro-Acoustic Music - REAM -(第20回国際音楽学会東京大会 IMS2017 Tokyo関連企画)
    • Place of Presentation
      東京藝術大学音楽学部第6ホール
    • Year and Date
      2017-03-23
    • Data Source
      KAKENHI-PROJECT-16K02303
  • 1.  Nodaira Ichiro (60228335)
    # of Collaborated Projects: 2 results
    # of Collaborated Products: 0 results
  • 2.  KOKAJI Kunitaka (90463950)
    # of Collaborated Projects: 2 results
    # of Collaborated Products: 0 results
  • 3.  鈴木 純明 (20773906)
    # of Collaborated Projects: 2 results
    # of Collaborated Products: 0 results

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