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Marui Atsushi  丸井 淳史

… Alternative Names

MARUI Atsushi  丸井 淳史

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Researcher Number 90447516
Other IDs
  • ORCIDhttps://orcid.org/0000-0001-7596-4005
Affiliation (Current) 2025: 東京藝術大学, 音楽学部, 教授
Affiliation (based on the past Project Information) *help 2021 – 2025: 東京藝術大学, 音楽学部, 教授
2017 – 2022: 東京藝術大学, 音楽学部, 准教授
2009: Tokyo National University of Fine Arts and Music, 音楽学部・音楽環境創造科, 准教授
2008 – 2009: Tokyo National University of Fine Arts and Music, 音楽学部, 准教授
2007: Tokyo National University of Fine Arts and Music, 音楽学部, 講師
Review Section/Research Field
Principal Investigator
Perceptual information processing / Media informatics/Database
Except Principal Investigator
Basic Section 61010:Perceptual information processing-related / Basic Section 90010:Design-related / Basic Section 01070:Theory of art practice-related / Design science
Keywords
Principal Investigator
音響教育 / 音色知覚 / 聴能形成 / サラウンド / ヘッドホン / 感性情報学 / 空間音響 / 音楽再生環境 / 音響心理学 / ヒューマンインターフェース / 音楽音響心理学 / ヒューマンインターフェイス … More
Except Principal Investigator
… More 頭部運動 / アンビソニックス / アップミックス / 3Dオーディオ / 収音方式 / 弦楽器 / 録音芸術 / マイク配置 / 音色 / 音楽録音 / アーカイブ構築 / 空間印象 / 主観評価実験 / 音場再生 / ディスコグラフィ / ディスコグラフィー / 演奏史 / 音響解析 / 聴覚文化 / 鈴木慎一 / 演奏様式 / 演奏研究 / スズキ・メソード / 早教育 / メディア / 歴史的音源 / 鈴木鎮一 / レコード / ヴァイオリン / 演奏分析 / オブジェクトベース / 音楽アーカイブ / 空間・音響モデリング / 録音方式 / インパルス応答 Less
  • Research Projects

    (6 results)
  • Research Products

    (55 results)
  • Co-Researchers

    (11 People)
  •  Research on microphone arrangement in string ensemble recording:In search of a musical suitable timbre

    • Principal Investigator
      長江 和哉
    • Project Period (FY)
      2025 – 2029
    • Research Category
      Grant-in-Aid for Scientific Research (C)
    • Review Section
      Basic Section 61010:Perceptual information processing-related
    • Research Institution
      Nagoya University of Arts
  •  Design of sound recording and reproduction system for construction of music archives using 3D audio

    • Principal Investigator
      亀川 徹
    • Project Period (FY)
      2021 – 2024
    • Research Category
      Grant-in-Aid for Scientific Research (B)
    • Review Section
      Basic Section 90010:Design-related
    • Research Institution
      Tokyo National University of Fine Arts and Music
  •  A Comprehensive Research on Style of the Violin Playing in the First Half of the 20th Century

    • Principal Investigator
      Osumi Kinya
    • Project Period (FY)
      2018 – 2023
    • Research Category
      Grant-in-Aid for Scientific Research (B)
    • Review Section
      Basic Section 01070:Theory of art practice-related
    • Research Institution
      Tokyo National University of Fine Arts and Music
  •  Objective Difficulty Measure for Source Programs Used in Timbral Ear Training TasksPrincipal Investigator

    • Principal Investigator
      Marui Atsushi
    • Project Period (FY)
      2017 – 2019
    • Research Category
      Grant-in-Aid for Scientific Research (C)
    • Research Field
      Perceptual information processing
    • Research Institution
      Tokyo National University of Fine Arts and Music
  •  Development of music archiving method enabling reproduction of spatial sound

    • Principal Investigator
      Kamekawa Toru
    • Project Period (FY)
      2017 – 2020
    • Research Category
      Grant-in-Aid for Scientific Research (C)
    • Research Field
      Design science
    • Research Institution
      Tokyo National University of Fine Arts and Music
  •  DevelopmentofVirtualSpaceforHeadphoneReproduction of SurroundSoundMusicPrincipal Investigator

    • Principal Investigator
      MARUI Atsushi
    • Project Period (FY)
      2007 – 2009
    • Research Category
      Grant-in-Aid for Young Scientists (B)
    • Research Field
      Media informatics/Database
    • Research Institution
      Tokyo National University of Fine Arts and Music

All 2024 2023 2022 2021 2020 2019 2018 2017 2008 2007

All Journal Article Presentation Book

  • [Book] 日本音響学会編『音響学講座9 音楽音響』中「第4章 音楽情報処理 第4節 音響合成」(249-263頁)2023

    • Author(s)
      丸井淳史
    • Total Pages
      300
    • Publisher
      コロナ社
    • Data Source
      KAKENHI-PROJECT-18H00636
  • [Journal Article] サクソフォーンの演奏強度による音色変化の評価2021

    • Author(s)
      竹内朗、丸井淳史、亀川徹
    • Journal Title

      日本音響学会 音楽音響研究会

      Volume: 40 (7)

    • NAID

      40022769965

    • Peer Reviewed
    • Data Source
      KAKENHI-PROJECT-18H00636
  • [Journal Article] 異なる残響環境における箏演奏音の主観評価の違いについて2021

    • Author(s)
      伊豊宇、亀川徹、丸井淳史
    • Journal Title

      日本音響学会 音楽音響研究会

      Volume: 39 (8)

    • Peer Reviewed
    • Data Source
      KAKENHI-PROJECT-18H00636
  • [Journal Article] 一対比較法と多次元尺度法を使った楽器音色の主観評価事例2021

    • Author(s)
      丸井淳史
    • Journal Title

      日本音響学会 音楽音響研究会

      Volume: 40 (1)

    • NAID

      40022614355

    • Peer Reviewed
    • Data Source
      KAKENHI-PROJECT-18H00636
  • [Journal Article] Evaluation of recording techniques for three-dimensional audio recordings: Comparison of listening impressions based on difference between listening positions and three recording techniques2020

    • Author(s)
      Kamekawa Toru、Marui Atsushi
    • Journal Title

      Acoust. Sci. & Tech.

      Volume: 41 Issue: 1 Pages: 260-268

    • DOI

      10.1250/ast.41.260

    • NAID

      130007782691

    • ISSN
      0369-4232, 1346-3969, 1347-5177
    • Year and Date
      2020-01-01
    • Language
      English
    • Peer Reviewed / Open Access
    • Data Source
      KAKENHI-PROJECT-17K00714
  • [Journal Article] クラシックギターにおける弾弦位置と異弦同音の違いが音色印象に与える影響2019

    • Author(s)
      志野文音、丸井淳史、亀川徹
    • Journal Title

      日本音響学会誌

      Volume: 75-1 Pages: 6-9

    • NAID

      130007670931

    • Peer Reviewed
    • Data Source
      KAKENHI-PROJECT-18H00636
  • [Journal Article] The Auditory Source Widening Effect in Binaural Synthesis with Spatial Distribution of Frequency Bands.2019

    • Author(s)
      Hengwei Su, Atsushi Marui, and Toru Kamekawa
    • Journal Title

      Journal of the Audio Engineering Society

      Volume: 67

    • Peer Reviewed
    • Data Source
      KAKENHI-PROJECT-18H00636
  • [Journal Article] 小空間における音楽の明瞭さに関する評価要因の調査2018

    • Author(s)
      今村秀隆, 丸井淳史, 亀川徹
    • Journal Title

      日本音響学会誌

      Volume: 74 Pages: 130-133

    • NAID

      130007479616

    • Peer Reviewed
    • Data Source
      KAKENHI-PROJECT-17K00228
  • [Journal Article] Optimal tempo for groove: Its relation to directions of body movement and Japanese nori2018

    • Author(s)
      Takahide Etani, Atsushi Marui, Satoshi Kawase, Peter Keller
    • Journal Title

      Frontiers in Psychology

      Volume: 9 Pages: 462-462

    • DOI

      10.3389/fpsyg.2018.00462

    • Peer Reviewed / Open Access / Int'l Joint Research
    • Data Source
      KAKENHI-PROJECT-17K04770, KAKENHI-PROJECT-18H00636
  • [Presentation] 3Dオーディオにおける上層の知覚に必要な帯域について2024

    • Author(s)
      亀川徹、丸井淳史
    • Organizer
      日本音響学会2024年春季研究会
    • Data Source
      KAKENHI-PROJECT-23K21837
  • [Presentation] ギター弦の弾き比べによる主観評価と音響的・物性的検討2023

    • Author(s)
      吉田羽那, 上原崇寛, 児玉秀和, 亀川徹, 丸井淳史
    • Organizer
      日本音響学会 音楽音響研究会 第41巻 第x号 (MA2022-xx)
    • Data Source
      KAKENHI-PROJECT-18H00636
  • [Presentation] 3D オーディオの収音マイクロホンはどれくらい減らせるか?2023

    • Author(s)
      亀川徹、丸井淳史
    • Organizer
      日本音響学会春季研究会
    • Data Source
      KAKENHI-PROJECT-23K21837
  • [Presentation] Evaluation of Different Music Styles Using the Multi Stimuli Ideal Profile Method (MS-IPM): A Feasibility Study.2023

    • Author(s)
      Atsushi Marui, Ayako Inaoka, Masaru Tanaka, Misato Kudo, Yusuke Honda, Ami Kato, Hideki Sakanashi, and Toru Kamekawa
    • Organizer
      The 17th International Conference on Music Perception and Cognition = The 7th Conference of the Asia-Pacific Society for the Cognitive Sciences of Music
    • Data Source
      KAKENHI-PROJECT-18H00636
  • [Presentation] 3Dオーディオにおける上層の知覚と頭部運動(Roll)との関連について2023

    • Author(s)
      亀川徹、丸井淳史
    • Organizer
      日本音響学会2023年秋季研究会
    • Data Source
      KAKENHI-PROJECT-23K21837
  • [Presentation] ヴァイオリニストとヴィオリストが演奏時に目指す「良い音」に関する評価構造の抽出とその差異について2023

    • Author(s)
      井関幸平、丸井淳史、亀川徹
    • Organizer
      日本音響学会 音楽音響研究会
    • Data Source
      KAKENHI-PROJECT-18H00636
  • [Presentation] The effect of head tilt on the perception of the top layer of three-dimensional audio2023

    • Author(s)
      Toru Kamekawa, Atsushi Marui
    • Organizer
      AES the International Conference on Spatial and Immersive Audio
    • Int'l Joint Research
    • Data Source
      KAKENHI-PROJECT-23K21837
  • [Presentation] 音楽研究における情報機器の使用について──音高分析を中心に──2023

    • Author(s)
      丸井淳史
    • Organizer
      シンポジウム「鈴木鎮一と音楽の近代──SPレコード音源とその社会文化的背景の検証を通じて──」
    • Data Source
      KAKENHI-PROJECT-18H00636
  • [Presentation] Comparing spatial impression between different numbers of microphone signals within the top layer of 3D audio reproduction2022

    • Author(s)
      Toru Kamekawa, Atsushi Marui
    • Organizer
      24th International Congress on Acoustics
    • Int'l Joint Research
    • Data Source
      KAKENHI-PROJECT-23K21837
  • [Presentation] ヴィオラ演奏における「ヴィオリストらしさ」について2022

    • Author(s)
      井関幸平, 丸井淳史, 亀川徹
    • Organizer
      日本音響学会 音楽音響研究会 第41巻 第1号 (MA2022-04)
    • Data Source
      KAKENHI-PROJECT-18H00636
  • [Presentation] 3Dオーディオの上層に必要な周波数帯域と頭部運動との関連2022

    • Author(s)
      亀川徹,丸井淳史
    • Organizer
      日本音響学会春季研究会
    • Data Source
      KAKENHI-PROJECT-23K21837
  • [Presentation] 二重奏の演奏音に異なる残響を付与した場合の空間印象の比較2021

    • Author(s)
      伊藤彰教、亀川徹、 丸井淳史
    • Organizer
      音楽知覚認知学会 2021年度秋季研究発表会
    • Data Source
      KAKENHI-PROJECT-18H00636
  • [Presentation] 3Dオーディオのトップレイヤーに 低音は必要か?2020

    • Author(s)
      亀川徹、丸井淳史
    • Organizer
      日本音響学会
    • Data Source
      KAKENHI-PROJECT-17K00714
  • [Presentation] Are full-range loudspeakers necessary for the top layer of Three-Dimensional audio?2020

    • Author(s)
      Kamekawa, Toru; Marui, Atsushi
    • Organizer
      Audio Engineering Society
    • Int'l Joint Research
    • Data Source
      KAKENHI-PROJECT-17K00714
  • [Presentation] Are full-range loudspeakers necessary for the top layer of 3D audio?2020

    • Author(s)
      Toru Kamekawa, Atsushi Marui
    • Organizer
      Audio Engineering Society
    • Int'l Joint Research
    • Data Source
      KAKENHI-PROJECT-17K00714
  • [Presentation] 3Dオーディオの上層に必要な周波数帯域と空間印象の関係2020

    • Author(s)
      亀川徹、丸井淳史
    • Organizer
      日本音響学会
    • Data Source
      KAKENHI-PROJECT-17K00714
  • [Presentation] 歌声における感情のビブラート表現2020

    • Author(s)
      劉潔瑩、亀川徹、丸井淳史
    • Organizer
      日本音響学会音楽音響研究会 第38巻 第9号 (MA2019-63)、筑波大学(2020年2月29日)
    • Data Source
      KAKENHI-PROJECT-18H00636
  • [Presentation] 22.2マルチチャンネル音響における収音方式と聴取位置の違いが聴取印象に与える影響について2019

    • Author(s)
      亀川徹、丸井淳史
    • Organizer
      日本音響学会春季研究会
    • Data Source
      KAKENHI-PROJECT-17K00714
  • [Presentation] Investigation into How Reference Sources and the Experience of Technical Ear Training Work in Mixing through Headphones2019

    • Author(s)
      Soohoon Park, Toru Kamekawa, and Atsushi Marui
    • Organizer
      146th Convention, Audio Engineering Society
    • Int'l Joint Research
    • Data Source
      KAKENHI-PROJECT-17K00228
  • [Presentation] 遠鳴り・そば鳴りを考慮したオーボエ演奏音に対する音色の評価について2019

    • Author(s)
      安達万純、亀川徹、丸井淳史
    • Organizer
      日本音響学会音楽音響研究会 第37巻 第1号 (MA2018-73)、岐阜工業高等専門学校、2019年1月26日
    • Data Source
      KAKENHI-PROJECT-18H00636
  • [Presentation] 高臨場感オーディオの評価について2019

    • Author(s)
      丸井淳史
    • Organizer
      日本音響学会 2019年度秋期研究発表会
    • Invited
    • Data Source
      KAKENHI-PROJECT-17K00228
  • [Presentation] 聴能形成課題における客観的難易度と主観的難易度の関係2019

    • Author(s)
      丸井淳史, 亀川徹
    • Organizer
      日本音響学会 2019年度秋期研究発表会
    • Data Source
      KAKENHI-PROJECT-17K00228
  • [Presentation] Predicting Objective Difficulty in Peak Identification Task of Technical Ear Training2019

    • Author(s)
      Atsushi Marui and Toru Kamekawa
    • Organizer
      147th Convention, Audio Engineering Society
    • Int'l Joint Research
    • Data Source
      KAKENHI-PROJECT-17K00228
  • [Presentation] Does Spectral Flatness Affect the Difficulty of the Peak Frequency Identification Task in Technical Ear Training? (Part 2)2019

    • Author(s)
      Atsushi Marui and Toru Kamekawa
    • Organizer
      146th Convention, Audio Engineering Society, Engineering Brief 521. Dublin, Ireland, March 2019.
    • Data Source
      KAKENHI-PROJECT-18H00636
  • [Presentation] 22.2マルチチャンネル音響における収音方式と聴取位置の違いによる臨場感の評価と音響特徴量の関係について2019

    • Author(s)
      亀川徹、丸井淳史
    • Organizer
      日本音響学会
    • Data Source
      KAKENHI-PROJECT-17K00714
  • [Presentation] Comparison of recording techniques for 3D audio due to difference between listening positions and microphone arrays2019

    • Author(s)
      Toru Kamekawa, Atsushi Marui
    • Organizer
      Audio Engineering Society 146th convention
    • Int'l Joint Research
    • Data Source
      KAKENHI-PROJECT-17K00714
  • [Presentation] Does Spectral Flatness Affect the Difficulty of the Peak Frequency Identification Task in Technical Ear Training? (Part 2)2019

    • Author(s)
      Atsushi Marui and Toru Kamekawa
    • Organizer
      146th Convention, Audio Engineering Society
    • Int'l Joint Research
    • Data Source
      KAKENHI-PROJECT-17K00228
  • [Presentation] Does Spectral Flatness Affect the Difficulty of the Peak Frequency Identification Task in Technical Ear Training?2018

    • Author(s)
      Atsushi Marui and Toru Kamekawa
    • Organizer
      144th Convention, Audio Engineering Society
    • Int'l Joint Research
    • Data Source
      KAKENHI-PROJECT-17K00228
  • [Presentation] 「かわいい音」に関する評価語の分類2018

    • Author(s)
      萩原みず穂、丸井淳史、亀川徹
    • Organizer
      日本音響学会音楽音響研究会 第37巻 第1号 (MA2018-03)、東京藝術大学、2018年4月14日
    • Data Source
      KAKENHI-PROJECT-18H00636
  • [Presentation] The Standard Deviation of the Amplitude Spectrum as a Predictor of the Perception of the Power of Distorted Guitar Timbre2018

    • Author(s)
      Koji Tsumoto, Atsushi Marui, and Toru Kamekawa
    • Organizer
      144th Convention, Audio Engineering Society, Paper No. 9971. Milan, Italy, May 2018.
    • Data Source
      KAKENHI-PROJECT-18H00636
  • [Presentation] ミキシングの作業におけるモニターヘッドホンの影響に関する調査 ――5種類のモニターヘッドホンと 高・低域EQ調整を用いて――2018

    • Author(s)
      朴寿焄, 亀川徹, 丸井淳史.
    • Organizer
      日本音響学会音楽音響研究会
    • Data Source
      KAKENHI-PROJECT-17K00228
  • [Presentation] Does Spectral Flatness Affect the Difficulty of the Peak Frequency Identification Task in Technical Ear Training?2018

    • Author(s)
      Atsushi Marui, Toru Kamekawa
    • Organizer
      Audio Engineering Society 144th Convention
    • Int'l Joint Research
    • Data Source
      KAKENHI-PROJECT-17K00228
  • [Presentation] Does Spectral Flatness Affect the Difficulty of the Peak Frequency Identification Task in Technical Ear Training?2018

    • Author(s)
      Atsushi Marui and Toru Kamekawa
    • Organizer
      144th Convention, Audio Engineering Society, Paper No. 9945. Milan, Italy, May 2018.
    • Data Source
      KAKENHI-PROJECT-18H00636
  • [Presentation] 箏曲における邦楽合奏の楽器配置に関する研究2018

    • Author(s)
      齋藤峻、吉川さとみ、亀川徹、丸井淳史
    • Organizer
      日本音響学会音楽音響研究会 第37巻 第1号 (MA2018-32)、NHK放送技術研究所、2018年8月25日
    • Data Source
      KAKENHI-PROJECT-18H00636
  • [Presentation] 22.2マルチチャンネル音響の収音方式の違いが聴取印象に与える影響について2018

    • Author(s)
      亀川徹、丸井淳史
    • Organizer
      日本音響学会秋季研究会
    • Data Source
      KAKENHI-PROJECT-17K00714
  • [Presentation] Evaluation of 3D Audio Recording Techniques2018

    • Author(s)
      Toru Kamekawa, Atsushi Marui
    • Organizer
      Universal Acoustical Communication Month 2018
    • Invited / Int'l Joint Research
    • Data Source
      KAKENHI-PROJECT-17K00714
  • [Presentation] Evaluation of Player-controlled Flute Timbre by Flute Players and Non-Flute Players2018

    • Author(s)
      Mayu Kasahara, Atsushi Marui, and Toru Kamekawa
    • Organizer
      144th Convention, Audio Engineering Society, Paper No. 9950. Milan, Italy, May 2018.
    • Data Source
      KAKENHI-PROJECT-18H00636
  • [Presentation] オーボエ演奏音における遠鳴り・そば鳴りに関する検討2018

    • Author(s)
      安達万純、亀川徹、丸井淳史
    • Organizer
      日本音響学会音楽音響研究会 第37巻 第1号 (MA2018-01)、東京藝術大学、2018年4月14日
    • Data Source
      KAKENHI-PROJECT-18H00636
  • [Presentation] The Upmix Method for 22.2 Multichannel Sound Using Phase-Randomized Room Impulse Responses2017

    • Author(s)
      Toru Kamekawa and Atsushi Marui
    • Organizer
      Audio Engineering Society
    • Int'l Joint Research
    • Data Source
      KAKENHI-PROJECT-17K00714
  • [Presentation] A Basic Study of the Upmix Method for 22.2 Multichannel Sound2017

    • Author(s)
      Toru Kamekawa and Atsushi Marui
    • Organizer
      Audio Engineering Society
    • Int'l Joint Research
    • Data Source
      KAKENHI-PROJECT-17K00714
  • [Presentation] ヘッドホン聴取における左右音の非相関強調とクロストークについて2008

    • Author(s)
      丸井淳史
    • Organizer
      日本音響学会音楽音響研究会
    • Place of Presentation
      東京芸術大学
    • Year and Date
      2008-08-09
    • Data Source
      KAKENHI-PROJECT-19700114
  • [Presentation] ヘッドホン聴取における左右音の非相関強調とクロストークについて2008

    • Author(s)
      丸井淳史
    • Organizer
      日本音響学会
    • Place of Presentation
      音楽音響研究会
    • Data Source
      KAKENHI-PROJECT-19700114
  • [Presentation] Perceptual Categories of Artificial Reverberation for Headphone Reproduction of Music2007

    • Author(s)
      MARUI Atsushi
    • Organizer
      In Proceedings of 123rd Convention, Audio Engineering Society
    • Place of Presentation
      New York, USA.
    • Data Source
      KAKENHI-PROJECT-19700114
  • [Presentation] Perceptual Categories of Artificial Reverberation for Headphone Reproduction of Music2007

    • Author(s)
      丸井淳史
    • Organizer
      Audio Engineering Society
    • Place of Presentation
      ニューヨーク
    • Data Source
      KAKENHI-PROJECT-19700114
  • [Presentation] 録音物に対する演奏家の意識-残響感と距離感に関する考察-2007

    • Author(s)
      山田哲広,亀川徹,丸井淳史
    • Organizer
      日本音響学会
    • Place of Presentation
      音楽音響研究会
    • Data Source
      KAKENHI-PROJECT-19700114
  • [Presentation] 録音物に対する演奏家の意識-残響感と距離感に関する考察-2007

    • Author(s)
      山田哲広, 亀川徹, 丸井淳史
    • Organizer
      日本音響学会音楽音響研究会
    • Place of Presentation
      東京芸術大学
    • Data Source
      KAKENHI-PROJECT-19700114
  • 1.  Kamekawa Toru (70359686)
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